The creator of "IT Dog" is actually very old school in his bones. She/they takes Ashin as the protagonist of the story, and the plot revolves around the shocks and tests he has been subjected to, which reflects the concept and foothold of the creator, and behind it is a complex of unwillingness to bow to reality. She/they will use Ashin, who is as honest and persistent as a rare creature on the verge of extinction, to show the audience the Hong Kong in their eyes, and to examine and question step by step this utilitarian world that rewards empty talk and punishes those who do. Ashin - an outlier in the eyes of ordinary people - is undoubtedly the spokesperson of the creator, and she/they is a little ignorant of current affairs. "IT Dog" ridicules this bizarre society, and has a lot of absurd phenomena, but it is not too in-depth observation and ridicule. From gender and environmental issues, to NGOs, crowdfunding scams, positive energy L, life growth mentors, cyberbullying,
Internet celebrity culture, crisis public relations, and more. If someone pretends to be a wise man, cites American TV classics, criticizes "IT Dog" as rough, loose, superficial, or lacks in-depth descriptions of the IT world and workplace, I believe it is easy to do. In fact, the hero behind the scene also admitted to having such and such shortcomings in an interview with online media, so the truth is not that the screenwriter and the audience are drunk and the "wise man" is sober. Maybe we try to look at this problem from the creator's point of view. How do creators face wedding photo retouching services the dilemma? The creator decided to make a light comedy that reflects the current disadvantages - not to mess with gag, not to play with words, not to make people laugh by strange shapes - to use the people and things encountered by Ashin throughout the play, and integrate various social and cultural issues . The biggest challenge at this time, I believe, is how to organically combine a variety of interesting plot contents with a limited amount of space:
on the one hand, to produce the due dramatic effect, on the other hand The characters and changes of each character simultaneously advance and arrange the plot, so that the tension and explosiveness of the drama are gradually precipitated and accumulated, and when the finale is reached, the emotions will explode once and for all. If the above analysis is close to the facts, the creators will inevitably have to make a choice. Either they will be more subtle and discuss a specific topic in one episode at most (the issue of women’s rights can be run through the whole play due to the character of Female B), or they will focus on firepower, except for the motif (a little bit more). I'll talk about it later), specializing in three or several unique topics that are worth digging deeper, Of course, in theory, you can have both. If you look for it, you can always find the best and the best. Even if the resources are extremely limited, they can write works that appeal to both the refined and the common. If there are commentators who have read the classics and compared them with local works to reveal the shortcomings of the latter and make sense, this is certainly worthy of appreciation. After all, there can be no